In March 2020, the World Health Organization halted global travel due to the COVID-19 pandemic, coinciding with the planned start of filming for season two of “Petroglyphs to Pixels”.

Jaalen, one of the youngest and most accomplished male carvers, is a dynamic force in the art world known for his remarkable skill and passion.

Ariane is an artist who hails from a distinguished family of artists, including Isabella and Charles Davidson, Selina Peratrovich, Florence Davidson and her grandmother Primrose Adams, who raised her.

Delores Churchill, a renowned spruce root weaver, is one of the most respected and prolific teachers in the Pacific Northwest. She is passing on her skills to her daughter, Holly Churchill, and other students.

Merging themes of femininity and environmentalism, Terri-Lynn Williams-Davidson burst onto the art scene in 2017 with her acclaimed show, Out of Concealment.

Both of these talented young artists began their journeys as sketch artists inspired by Disney characters, showcasing their early artistic talents.

The resurgence of Indigenous tattoo art is gaining recognition with many young people, matriarchs, chiefs and Elders proudly displaying their family and clan crests as permanent body art.

Carsen Grey, a singer, mother and devoted Christian, shares her message with the world, describing her Haida Gwaii upbringing as “chill, beautiful, and laid-back,” shaped by her experiences both on and off the island.

While art can often be solitary, carving a totem pole requires collaboration. This episode visits the Skidegate carving shed to observe artists working together on totem poles brought to life through song and ceremony.

Cori stands out as a highly regarded carver in a field historically dominated by men. She honed her skills under master carver and mask maker Reg Davidson, earning respect and recognition.

These brothers are exceptional figures in northwest coast art, excelling as carvers, designers, singers and dancers, making a powerful impact in their genre.

This episode celebrates Haida artists as they pay tribute to cedar, a keystone species essential to Haida Gwaii’s ecosystem and a fundamental element in Haida art.

The story of repatriation and provenance of Haida art is one of cultural resilience. Efforts to reclaim these priceless pieces began over fifty years ago and continue today.